As we approach the New Year it becomes time to start booking for shows in 2007, so we started today by booking up for a number of shows at the Citizens' and we'll add a few others over the next week or so once we've identified shows to see. So here's what you can expect to see reviews of in the new year... (All shows at the Citizens unless noted)
Les Liaisons Dangereuses
My Bloody Valentine
The Little World of Don Camillo
The Recovery Position (NTS Young Company at Platform, Easterhouse)
The Rise and Fall of Little Voice
Ice Cream Dreams
Aalst (NTS at the Tramway, Glasgow)
When A Star Falls (SYT at SYT Building)
Futurology: A Global Revue (NTS at the SECC, Glasgow)
Black Watch (NTS at the Old Fruitmarket, Glasgow & touring)
We Will Rock You (STF at Rothes Hall, Glenrothes)
His Dark Materials (Scottish Youth Theatre - venue tbc)
All good stuff but I'm particularly looking forward to a few of them -
"The Crucible" as I've never seen it, and love "Death of a Salesman"
"Re:Union" about unions between nations as I like a bit of political theatre
"Ice Cream Dreams" as I found out today it requires a stage extension covering the first 5 rows of the stalls and they can only use the front row of the Circle, so book now if it interests you as tickets will be very limited.
We missed out on seeing "Black Watch" at the Edinburgh Festival last year so we're delighted that we'll get a chance to catch it on tour this year, and although Musicals aren't really my thing I'm looking forward to "We Will Rock You" as it is being put together by the great folks over at the Scottish Theatre Forum.
We'll continue to update this post as we make plans to see shows, and where possible we've tried to book for the beginning of runs so that reviews will be available in time for you to still book for shows with longer runs. Please note that tickets are not yet on sale for some of these shows.
As you can see it's quite an intense start to the year and we hope to continue to bring our thoughts and reviews of all the best Scottish Theatre has to offer.
Friday, December 29, 2006
As we approach the New Year it becomes time to start booking for shows in 2007, so we started today by booking up for a number of shows at the Citizens' and we'll add a few others over the next week or so once we've identified shows to see. So here's what you can expect to see reviews of in the new year... (All shows at the Citizens unless noted)
Posted by Statler at 4:12 pm
Saturday, December 23, 2006
Despite the cold, and it was very very cold inside Rosslyn Chapel, this was a heartwarming production based on the Oscar Wilde story. The cast of five and the production crew have put together a wonderful seasonal tale as an alternative to Panto. We'd seen Nonsenseroom's excellent version of "A Midsummer Night's Dream" at the chapel as part of the Edinburgh Festival and enjoyed it so much we immediately decided we had to make the trip back through for their Christmas show, and it was well worth the journey.
The production makes good use of the chapel's theatre-in-the-round format and the cast ensure they play to all sections of the audience. Sound effects are well put together to create any additional atmosphere required, although the chapel provides plenty of its own.
The story has been well adapted and includes some up to date references for an additional touch of humour - the Haka is inspired! The cast do a great job and Vic and her father held their accents well throughout and the cast didn't seem affected by the cold despite not having the benefit of the blankets and thick fleeces that the audience all came equipped with - these guys are prepared to suffer for their art.
Not sure how many people were surprised by the final sting in the tail/tale as it had been fairly well signposted, but once you clicked to it you realised how well the scenes had been put together and performed.
Already looking forward to see what they are going to come up with for 2007.
Posted by Statler at 10:52 pm
Sunday, December 17, 2006
Okay, so there's still a couple of weeks left of 2006, and we've still to see "The Canterville Ghost" next weekend, but as we've already had the BBC Sports Personality of the Year last weekend I think now is probably a good time to do a round-up of the highlights of 2006 - and I promise I'll remember to include "The Canterville Ghost" in next year's Review...
No fixed categories to work through - just making it up as I go along and remember some of the things I've enjoyed the past 12 months - and there have been so so many.
Favourite Newly Created/Devised Performance
It would have been easy have go for the NTS/Grid Iron production of "Roam" with its thought provoking themes and incredible staging at Edinburgh Airport, and I do count myself as genuinely fortunate to have caught this experience, but it has already had plenty of recognition this year with numerous awards and I think there was another show this year that was equally worthy. TheatreFusion's "Whitechapel Murders" focused on the victims of "Jack the Ripper" and the policeman who tried to catch him. Its stated aim to make the audience aware of their backgrounds and their stories was completely achieved and it managed to maintain a lighter tone at times while remaining totally appropriate given the subject matter. Great writing, great performances and a brilliant setting at Glasgow's Brittania Panoptican.
Favourite Performance of an Existing Work/Adaptation
Nonsenseroom's "A Midsummer Night's Dream" was outstanding but on looking back at the year I think Cumbernauld Senior Youth Theatre's "The Princess Bride" edges it - brilliantly adapted from a much loved original work that would have been so easy to do badly. Very clever portrayal of the story's big set pieces, creative use of dialogue/narration and great central performances.
Favourite Edinburgh Festival Show
We didn't see a bad show but the best was "A Midsummer Night's Dream" but "The Receipt" ran it close with its hugely entertaining interaction between the performers.
Favourite Male Performance
Interestingly both of the performances that come to mind are from separate shows by Rapture Theatre, Jimmy Chisholm as the broken Lawson in "The Collection" and John Kazek as Ralph in "Frozen". Hats off also to the guys from Theatre Modo's "Don Quixote" who must have really done themselves some damage the way they threw themselves around the stage.
Favourite Female Performance
Natalie Bennett as Helena in "A Midsummer Night's Dream" made a great show an incredible one, differentiating clearly between her two roles and displaying brilliant comic timing and facial expressions.
Other notable performances were Melissa Deans playing Inigo in "The Princess Bride" and Siobhan Redmond whose stage presence as Elizabeth in "Mary Stuart" was immense.
Favourite Youth Theatre Show
Already mentioned, Cumbernauld Senior Youth Theatre's "The Princess Bride" runs away with this one, but the SYT's "Arabian Nights" and Citizens Youth Theatre's "Geeks, Greeks and Party Myths" were also hugely enjoyable.
If 2007 can be half as good as 2006 has been I can't wait...
Posted by Statler at 9:37 pm
Saturday, December 09, 2006
This emotional tale of a mother whose child has been abducted and her child’s abductor was never going to be an enjoyable experience and it was every bit as uncomfortable and painful as expected - but in a good way.
The subject matter isn’t the kind of thing I would usually go for, but having seen Rapture Theatre’s previous productions of “Damages” and “The Collection” in recent years we knew the quality would be pretty much guaranteed. “Frozen” centres around three characters - the fraught mother, the abductor and a psychiatrist studying the criminal mind. The characters of Nancy (the mother) and Ralph (the abductor) are given real depth by the actors and the moment when they finally come face to face is spine-tingling. The first half of the play is almost entirely a series of monologues and at times it can be heavy going but it’s due to the intensity of the subject and the performances rather than a problem with the dialogue, but I really could have done with the interval being 20 minutes earlier than it was. It may be okay in a main theatre setting but in the Citizens Circle Studio my back was telling me it was time for the break long before it was. Indeed the play as a whole was possibly slightly overlong and for me the subplot of the psychiatrist’s backstory could have been jettisoned without damaging the focus of the play. My only other real criticism was that the writing of the paedophile was pretty simplistic, “by the numbers” and comformed to type, and with a lesser performance this could be a major problem.
The set does an excellent job of creating the required atmosphere but was really a bit on the bright side - and combined with the intensity of the show I’m sure I wasn’t the only person who left with a bit of a headache coming on.
One last thing - it's not like me to want to include a content warning (although Rapture themselves say it's for "audiences over 14 years old and for those not easily offended") but the language here is at times thoroughly unpleasant - not just the content but the offensive manner in which it is delivered. Not a bad thing in my book as it's completely in context, but some may find it more than they are happy to take (and not just those who are "easily" offended).
Overall this was a great show which was clearly well received by the sell-out audience, and you can be sure we’ll be back to see Rapture’s staging of “The Glass House” next year - which also sees them move to the main theatre in the Citizens for the first time.
Posted by Statler at 12:27 am
Friday, October 20, 2006
This show by the Citizens Young Company is described on the Citizens website as "An original piece of theatre drawing on classical Greek myth and teenage panic - what would you do if Medusa had just crashed your party?" The description was certainly enough to get our interest but we really had no idea what we were walking into. Even after seeing the show I'm still not sure... but I do know I enjoyed it.
The cast generated a quite electric atmosphere with their energy and with a large cast in the small Circle Studio their obvious fun was seriously contagious. Anyone who remembers the house parties of their teenage and student years will quickly recognise that this production has absolutely nailed what it's like to be part of it. And I guarantee every audience member left recalling their own tales of parties and 'Yellow Pages' moments.
The characters do at times tend towards caricature but that's all part of the fun and not at all out of place. The numerous "mini-tales" are well held together and all are entertaining in their own way with some of them very funny indeed. Performances are all good, but this is very much an ensemble so there aren't any I'd single out.
There are problems though. Although it does add a couple of nice touches, the "Greek" thing is a bit of a red herring that could do with either being expanded or dropped. Some of the dialogue struggles to be heard above the (admittedly excellent) soundtrack but I guess that just adds to the authentic party experience. At under an hour, although it doesn't feel incomplete I do think there was definitely room for expansion into a 90 minute plus format here.
But enough quibbling... this is a great piece of entertainiment and really conveys a mood and feeling across to the audience. Hell, even when I was that age I hated going clubbing, but by the end of the show I'd almost have been up for a night on the town myself. Great fun.
Posted by Statler at 9:14 pm
Wednesday, October 11, 2006
As a novel and entertaining way of telling a story, this performance by TAG really hits a sweet spot, but the story of teenage runaways doesn’t bring us anything new or any surprises along the way. And while it claims to raise serious issues such as self-harming and celebrity obsession we aren’t given any real feel for the impact or resulting consequences. They seem to be dropped in as “issues” without the play really having anything to say about them.
But none of this detracts from an entertaining 80 minutes or so where the format of dual narrators really drives the pace along. This works marvellously well when used in a “Crime Reconstruction” style commentry, although not quite so well when used to convey the internal thoughts of our runaways Lee & Leila. All 4 cast members perform well and succeed in bringing about a good level of tension as the play reaches a critical “will he / won’t he” moment. They also do remarkably well to perform in the Citizens Circle Studio with full lights up making it even more intense than usual.
Kudos to the writer for avoiding the temptation of an obvious potential plot twist which I won’t spoil here, but which is tired and overused. But I can’t help but feel that the writing lets the side down a little here - but it’s not a problem with the dialogue, it's back to the “issues” again I’m afraid - they just don’t add anything and I’m sure the play would be better dropping one or two of them and doing the remaining ones in more depth. Great performances and direction make this work but its despite rather than because of the writing.
Oh, and it was nice to see a number of the cast of “Mary Stuart” which is playing on the main stage in to see the performance.
Posted by Statler at 10:00 pm
Wednesday, October 04, 2006
When I first heard of the creation of National Theatre of Scotland last year I had fears of it being a stuffy organisation of luvvies putting on all too serious traditional theatre that no-one would choose to go and see. Fortunately our experience of "Roam" quickly opened our eyes to the full range of shows the NTS had planned for their first season - and stuffy or traditional didn't form any part of it. Reviews I'd seen of some of their other shows only confirmed this. But for the first 10 minutes of "Mary Stuart" I was concerned that all my initial fears weren't entirely without grounds.
The show opens with some fairly slow and heavy sets of one to one dialogues delivered in an earnest fashion, and I quickly found myself focusing on the marvellous set. Fortunately once we get into three way dialogues things quickly improve and as soon as Siobhan Redmond appears on stage as Elizabeth things are raised to a different level entirely. I've always liked her television work but she really has stage presence here, so much so that it's difficult to reconcile the way some of the other characters compare Elizabeth unfavourably with the younger Mary. It's a strong supporting cast with excellent performances from several - especially Phil McKee as Leicester and Robin Laing as Mortimer, but Redmond remains a clear head and shoulders above anyone else here - Helen Mirren or Judi Dench wouldn't get a look in. Catherine Cusak gives a good performance as Mary but she doesn't have the same material to work with as Redmond is given.
There are a couple of scenes which will evoke memories of "Yes Minister" style farce and wordplay but for me they don't sit quite right with the tone of the rest of the play. They are however very well done, and do provide some much needed lighter moments.
The only real quibble I have is with the way the death scene is portrayed - the dialogue just seemed forced and it would have had more of an impact for Mary just to have been lead into darkness.
Despite a running time of around 3 hours the show passes quickly and never drags - but you might want to think twice before going on a schoolnight. Contrary to my initial concerns at the start of the evening, I think this was an excellent addition to the NTS list of productions as it isn't something that would likely make an appearance otherwise and it had just enough nice touches, including the costumes of the male characters, to remove any hint of luvvies and that kind of theatre...
If tickets aren't already running low for the show's run at the Citizens followed by the Royal Lyceum, they will be when the reviews get out - Book NOW while you can.
Posted by Statler at 12:31 am
Monday, October 02, 2006
More than 24 hours after the event and I’m still not certain on my thoughts about this devised production by the NTS Young Company. The concept of a small group isolated after a national disaster isn’t anything new but the staging certainly takes the concept beyond the ordinary.
At a running time of around an hour things move along quickly as we are introduced to our five characters who remain nameless throughout but who I mentally tagged as “Kelvinside Lady”, “Little Girl”, “Astronomy Guy”, “The Boss” and "Mother". We learn a little of their backgrounds and the events that brought them together but much remains untold.
The performances had me really concerned for the first five minutes as they seemed overcooked, and I’m still not sure if they got better or if I just grew into the show and found the portrayals appropriate to the characters state of mind, but given the later inclusion of a song and dance number I think that the tone of the performances was actually a pretty good fit for the piece.
The reveal comes quickly and can be a surprise to few, and many like me probably anticipated it even before the start of the show. I just didn’t buy into the idea that the events of the show would bring about the final confession.
The company made the most of the claustrophobic nature of The Arches venue and there are nice elements of audience participation. It’s fairly rare for this kind of show to have any long lasting impact on me, but this one did, as it has introduced a new phrase to our household which will no doubt be in use for many years to come - “...and there was no F****** milk!”
I think my uncertainty about the success of the show is due to the fact that although it was definitely enjoyable, I’m just left feeling that it could have been so much more. It was just too traditional - for a young company being given support from the senior NTS and obviously with a lot of talent and directing experience I’d have liked to see some more thinking “outside the box”. There were hints of it - the leaflets handed out to the audience giving emergency instructions, the initial taped dialogue, the musical number but just not enough to really lift the show to a higher level. I’ll be interested to see if they can make their next production a little more different, because we will be back.
Posted by Statler at 1:25 am
Saturday, September 30, 2006
The story of the White Rose group who provided resistance to Hitler's policies within Germany is one that has an attraction for Waldorf, but for me theatre is for entertaining and I was struggling to see that I would get much "enjoyment" from this tale which couldn't end well.
So, I'm pretty surprised to be able to say that I found it a very enjoyable performance, as despite the dark themes and fates of the characters the legacy of their actions was made clear and tone of the ending a positive one. While the acting was of a good standard generally, it was Nicola Jo Cully excellent performance as Sophie Scholl who kept a more positive element throughout the narrative. Stewart Ennis as the older Wilhelm also brought a different dynamic to the group and his measured performance contributed greatly to the success of the show. A very welcome decision was for the cast to avoid going down the line of performing in German accents - a mistake that is far too often made and just proves distracting to the audience.
The story is well told and we have depth to the characters and are given insights into their motivations, their differing views and how they deal with the risks they take - these are clearly defined individuals, not just a generic group of people with a common cause. The only aspect of the writing I'd query was the romantic element which was really just a distraction - I would have been far more interested in the internal recriminations within the group about the decisions that lead to their arrests.
The show makes excellent use of their "stage" and the implementation of their graffiti handiwork is very impressively done, as are the audio visual elements. The set piece finale to the show is perfectly worked and ensures the audience leave on a high (and very grateful they don't have to stay and clean up!)
I've seen some reviews that while not harsh, haven't given this show the credit I think it deserves - there seems to be a snobbish prejudice against the show due to the fact that it is designed to be toured through schools as part of the curriculum. Don't let that take anything away from what is a powerful show with some powerful performances and some memorable images. It's a story that deserves to be told well, and Reeling & Writhing have done it proud. We saw this at the end of the run at the Tramway but there are several performances at venues around Scotland in October and November - if there is one near you give it a go, even if "serious" drama isn't normally your kind of thing.
Posted by Statler at 10:38 pm
Wednesday, September 27, 2006
Quick update on what we're planning on seeing and reviewing soon...
"Self Contained" @ The Arches by NTS Young Company
"My Dark Sky" @ Tramway and touring by Reeling & Writhing
"Mary Stuart" @ The Citizens (followed by The Royal Lyceum) by NTS
"Yellow Moon" @ The Citizens Circle Studio
"Geeks, Greeks and Party Myths" @ The Citizens Circle Studio
"Frozen" Touring followed by The Citizens by Rapture Theatre
"The Canterville Ghost" @ Rosslyn Chapel by Nonsenseroom
I'm sure we'll end up at a few other things over the coming months too but I think that'll do for now... oh and just for the record - WE DON'T DO PANTOS!
Posted by Statler at 11:20 pm
It's always a bit of a lottery when you go to see a show, especially when it's a newly written and produced play. Sometimes it's a hit, othertimes it's a disappointment. I'm happy to say this one was the former. This was a world premiere run from TheatreFusion.
We'd visited the Britannia Panopticon on Doors Open Day and it's well worth a visit if you get the chance. Entry is via an alleyway, then up some stairs but you emerge into an auditorium that takes you back in time and is filled with ghosts. It was quite apt that this was the venue staging a play about the victims on Jack the Ripper.
Despite its dark subject matter the play is a pleasant mix of the grim and humerous. Well written, with good use of both live musical accompaniment (piano and cello) and projected images (remember and turn off the antivirus scheduled scan if using a laptop), you got a real feel for the 5 victims we hear about. There were good performances from the cast with some nice well directed set pieces.
Sometimes keeping things simple is the best policy and with a limited set, no gruesome makeup effects or stage blood this won't turn your stomach, but will stimulate your brain.
The one limitation of the venue is that there is no tiering to the seating or stage, so you and the performers are all on a level. Try and avoid sitting behind any giants.
Unfortunately this was only a short run, but the company are hoping to stage it again and possibly tour with it - we'll let you know if we hear anything more.
UPDATE - (from the TheatreFusion website)
"THE WHITECHAPEL MURDERS", BRITANNIA PANOPTICON MUSIC HALL, Trongate, Glasgow. Located above Mitchell's Amusements. Enter via New Wynd, to the right of the amusement arcade.
Thursday 20th September - Saturday 22nd September 2007. Evening Performances at 7.30pm each night, with a Saturday 22nd September afternoon Matinee at 2pm.
TICKETS FOR THE BRITANNIA PANOPTICON SHOWS CAN BE RESERVED FROM 1ST AUGUST 2007. Email: firstname.lastname@example.org
Posted by Waldorf at 10:23 pm
This year was only our second visit to the Festival. Despite working in Edinburgh for many years I had avoided it as being too unpredicable to be confident of seeing anything other than dross. A visit prompted by Christian Slater's role in "One Flew Over the Cuckoo's Nest" in 2004 was a turning point, and although we didn't make it across in 2005, this year saw us make two visits and we managed to fit in 6 shows...
The Receipt @ The Assembly Rooms, Fuel Theatre
“The Receipt” is very nearly the perfect Fringe show - excellent physical performances, well written, very funny, and just that little bit different. I wouldn’t dream of trying to outline the plot or format of the show - but our “hero” is along the lines of “Willy Loman” from “Death of a Salesman” crossed with Dustin Hoffman’s character from “Rain Man” who suddenly finds that trivialities are all he has left. His story is retold through performances and techniques that on paper just shouldn’t work, but on the stage definitely deliver. I said “nearly” the perfect fringe show as it does run out of steam a little towards the end, and if they can find a way of ending the show more in keeping with the rest of the performance it would be absolutely perfect. A great way to get your day off to a start.
Fahrenheit 451 @ Gilded Ballon, Godlight Theatre Company
This is a well delivered staging of Bradbury’s classic work. The absence of backdrops and props have obviously focused the group’s minds on how to portray the main set pieces and they are aided greatly by the use of sound and lighting effects, although it did take me a while to work out the “Walls”. The cast slip easily and believably from character to character with each getting a chance to shine. I was a little disappointed that the show didn’t quite resonate for today’s society as I had hoped it might, but it is certainly a very enjoyable way to spend an hour or so.
The Regina Monologues @ “C”, Tidemark Theatre
This deserves to stand or fall on the basis of its central conceit of six present day wives of one man with parallels to the wives of Henry VIII, and on that basis it should stand proud. It’s very easy to believe the tales of these modern women while we are left to reflect on their historical counterparts and the acting is of a high quality although it is only the final wife who managed to really engage my interest. It is both funny and sad in moments, but I am left with the feeling that it isn’t quite as clever as it likes to think it is. The show was also hindered by its staging in a venue with a loud air-con or fan unit in danger of drowning out some of the quieter deliveries, and due to the way the seats are tiered, some characters are at times delivering lines out of view of a large portion of the audience. Worth seeing for its ambitious concept - but make sure you get in the front half of the seating.
Lord of the Flies @ Augustines, Feltonfleet School
An excellent performance of “Lord of the Flies” by a remarkable young cast. We had wondered how adults would portray the children of the story and it was only the night before that we discovered the cast were all schoolchildren of an age with the characters. Those playing the main characters perform well beyond their years, and the supporting cast ensure they are each memorable in their individual roles. Great use of a minimal set/props but “line of sight” was a problem for some of the audience from time to time. If you missed the show you definitely missed out - remember the group for next year!
“Rebus McTaggart” @ Smirnoff Underbelly, Richard Thomson
This was my first show this year that I had chosen after the reviews started to appear, so expectations were high. Fortunately the show lived up to them. At times it did threaten to disappoint as the secondary characters don’t deliver in the same way as Rebus McTaggart does, and to be honest if they weren’t there they wouldn’t be missed (with the exception of the sniffer dog!) McTaggart is where it is at for this show and he’s well crafted and excellent at interacting with the audience. The Crime Reconstruction was truly funny and original - Crimewatch will never be the same again. See this show - I suspect well be seeing a lot more of Richard Thomson in years to come.
“A Midsummer Night’s Dream” @ Rosslyn Chapel, Nonsenseroom Productions
Wonderful setting for a wonderful performance, an absolute joy from start to finish. Very good performances from the cast all round, and I never like singling out an individual, but the actress playing Helena delivered the best individual performance I’ve seen at this years Fringe, and I’ve been lucky enough to see some great shows. She brought a great presence to the roles and made a clear distinction between her characters in looks and mannerisms. I was lucky enough to attend a Saturday night performance with buffet and chapel tour - well worth paying the extra for as it made the whole thing even more of an experience. Really can’t recommend this show highly enough and we're really looking forward to their Christmas production of "The Canterville Ghost".
Posted by Statler at 10:15 pm
This was the second Scottish Youth Theatre show we saw this year. We'd been disappointed by Man of the Crowd, but had higher hopes for this one. Again this was in the intimate surroundings of the Citizens' Circle Studio. You're right in the middle of the action, especially when it's a production with a relatively large chorus.
The cast were obviously enjoying themselves, and it showed in their performances. Most of the main characters were playing multiple roles but pulled them off. So much so that Statler had to ask who had played one character and didn't believe me when I told him who it was - such was the difference in the portrayal of the two different characters.
It tripped along at a fair pace, with a nice use of props and a limited set. It's amazing the different uses Ikea boxes can be put to!
Posted by Waldorf at 9:46 pm
We’ve been going to productions by the Scottish Youth Theatre for many years now, ever since they did a show based on the life of a supposed ancestor of mine. The only years we’ve missed out were because we tried booking too late to get tickets, and the shows have often been the highlight of our theatre-going year. We’ve seen versions of “Into the Woods”, “Sweeney Todd” and also devised pieces such as last year’s “Ugly Duckling”.
“Man of the Crowd” was the first show in the Studio Theatre in SYT’s new home in Glasgow’s Merchant City and was based on the life and works of Edgar Allan Poe, with particular focus on the mystery surrounding the last few days before his death in suspicious circumstances. What follows is a tale mingling Poe’s failing mental state and his presumed physical form - portrayed by two separate actors which although initially confusing actually worked fairly well, even if the resemblance between the two was little more than passing.
Part music, part dance, part drama, part poetry reading the show was at it’s best when Poe was being tortured by his own creations but despite a fantastic set and some strong performances it was let down by the writing. We’re given hints of Poe’s fate but it’s all rounded up too quickly, the dialogue just isn’t snappy enough and at times heads towards Bond villain type stuff, and with a running time of around one hour a little extra wouldn’t have gone amiss. It might have meant more to someone with a greater knowledge of Poe’s works, but for me it just didn’t quite work. The cast also weren’t helped by a decision to go with heavy accents, both American and East European of which some cast members were more capable of than others. It hurts me to say it after having such great experiences with the SYT before and since, but this one has to go down as a disappointment despite the valiant attempts of a cast which could no doubt have shone given better material to work with.
Posted by Statler at 9:30 pm
Tuesday, September 26, 2006
I wasn’t particularly familiar with the source material but it has been really brought up to date by Theatre Modo in this performance in the Citizens Circle Studio. Now this is a very small space, and blimey didn’t they use every single inch of it! It’s a hugely physical performance for all three cast members and I’m sure they must be covered in bruises at the end of each performance - I wasn’t alone in grimacing in pain as they threw themselves around the stage.
Don Quixote is now living in what appears to be a tenement flat with his best mate and his secret love, spending his time in a fantasy world, at times represented by his obsession with computer games. We watch as his friends at first humour his fantasies before realising things are going too far. It is all wonderfully realised as we witness his challenges and torments, both real and imagined. It is a well written piece but in truth this is all about the performances and they are hugely entertaining. For me this was bordering on experimental theatre, so the company may well have misses as well as hits, but on the basis of this I’ll definitely be checking them out.
As I said, we saw this at the Citizens, but it was also toured, and given the physicality of the piece I think in future we’d try and catch them at the Cumbernauld Theatre where they can make use of a substantailly larger performance area.
Posted by Statler at 10:20 pm
Despite living in the area for seven years, it took a performance based on one of our favourite films to get us along to Cumbernauld Theatre. It was being done by the Cumbernauld Senior Youth Theatre. I had really high expectations given my love for the source material, and the show surpassed them. Excellent performances all round especially from the young lady playing Inigo, yes that’s right, young lady, and the change really worked well. All the elements from the film were there, some very imaginatively and effectively recreated, but they had also managed to include some additional scenes from the original book which definitely added to the show. Another welcome decision was the way the cast delivered some dialogue “third person” with added internal commentry - difficult to convey but marvellously entertaining to see. The cast were hugely energetic making the most of the many entrances and exits Cumbernauld theatre's in-the-round auditorium provides, and the swordplay of the main cast was little short of magnificent.
Marvellous show, and we'll definitely be back to see what they come up with in future.
Posted by Statler at 10:09 pm
We’d very much enjoyed their version of “Damages” in 2005 so we were very keen when Rapture returned to the Citizens with “The Collection” For a show set in the gritty world of loan sharks there are some humourous parts, but the main flow of the show is relentlessly downwards into despair. Given the nature of the subject, it’s not really a performance to “enjoy” but there’s no doubting the quality on show here. Jimmy Chisholm as Lawson is particularly effective at portraying the realisation of the impact his job has on his clients. The show works wonderfully in the intimate setting of the Citizens Circle Studio theatre and the acting is very much tailored to the setting. It has definitely secured Rapture’s place as one of our favourite companies and we’ll be seeing this year’s second offering - “Frozen” soon.
Posted by Statler at 10:02 pm
Statler was the one who spotted this was on and he had to convince me to go, it all sounded a little arty for me. I was wrong.
This is the first play that I've been to that you not only needed a ticket, but also a passport.
The evening started at the Traverse Theatre in Edinburgh where our passports were checked, and we were asked to identify a tomato (more on that later). A double decker bus took us out to Edinburgh Airport. After we checked in we were treated to performances throughout the airport; from the check-in desks to the departure lounge to the baggage collection.
The core of the performance (play doesn't quite cover the experience) were 2 intertwined stories. The first was that of travellers from various backgrounds and countries and their interaction as you sit in the rather dull environment that is an airport. The second, and more thought provoking, was looking at people trying to flee from an airport after civil disturbances. In a disturbing twist the country that was falling apart was Scotland, and the 'safe havens' people were trying to flee to were Sarajevo, Beirut (particularly ironic given events later this year) and Kigali. The same actors played roles in both tales.
A though provoking and enjoyable mix followed. A particular highlight was when we were heading to the departure lounge but were delayed by an offloading commuter shuttle from London. The quizzical looks on the faces on the suited business people as they walk past a member of cast reciting 'I am the gatekeeper' with mentions of running fingers up and down was a treat. (PS if anyone has the words that were recited I'd love to have them)
The tomato question earlier was explained as the way this word was pronounced in Arabic was used as a way of determining whether the speaker was a Palestinian, and therefore a fair target. Makes you think - doesn't it?
It was a long evening but didn't drag. A unique production in an unusual venue. Grid Iron and National Theatre of Scotland produced an excellent experience. The critics agreed and gave it 3 awards - including Best Theatre Production
Posted by Waldorf at 9:46 pm
We saw this one man show at the Citizens' back in March...
I saw Andy Gray perform on stage many years ago along with Gerard Kelly and the rest of the cast of “City Lights” in a stage version of the popular BBC Scotland sitcom of the late 1980s. I hadn’t seen any of his performances since then as I always felt they would be just that bit too “Glasgow” for my taste.
The premise of “A Limited Run” really intrigued me though - the concept being a downsized God living in a bedsit receiving prayers by fax. After speaking with a friend who had seen the show the previous year at the Edinburgh Festival we decided to book up. Andy Gray was brilliant - bringing out the humour and the pathos of the piece, which despite being part of the Comedy Festival actually has some very bleak moments. He’s also a master at controlling an audience - useful on a Friday evening when some of the audience came from the office via the pub. The only disappontment was that the show still retained it’s Festival running time of around 75 minutes with no interval, and I really did feel they could and should have extended it to a “full length” show with interval.
I’m still not sure I would rush back to see Gray in his comedy roles, but I’d love to see him on stage in a dramatic role, because he definitely has the presence to carry it off.
Posted by Statler at 9:03 pm
4.48 Psychosis - Sweetscar/Tramway/Cumbernauld Theatre, November 2008
45 Minutes, Turret Theatre Co, Edinburgh Festival 2007
100, A Play, A Pie & A Pint @ Oran Mor, November 2007
200th Play, A Play, A Pie & A Pint @ Oran Mor, Sept. 2010
365 - National theatre of Scotland, Edinburgh International Festival 2008
2020 Vision - Paper Zoo, Edinburgh Fringe 2010
Aalst - NTS/Victoria, March 2007
Alan Cumming - I Bought a Blue Car Today, Edinburgh Fringe 2010
A Midsummer Night's Dream - Nonsenseroom, Edinburgh Festival 2006
A Limited Run - Glasgow Comedy Festival, March 2006
A Perfect Child - Oran Mor A Play, A Pie & A Pint - October 2009
Address Unknown - Tron Theatre Co, May 2010
Alien Wars - @ The Arches, January 2009
An Advert for the Army - Oran Mor 'A Play, A Pie & A Pint', April 2008
Ae Fond Kiss - Nonsenseroom, Edinburgh Fringe 2009
Alcatraz - Aireborne Theatre, Edinburgh Fringe 2010
All's Well That Ends Well - NT Live, October 2009
Amada - Arches Theatre Company, September 2008
The Angel and the Woodcutter, Cho-In Theatre, April 2009
Animal Farm - GCNS Students, March 2008
Answers - NUTS, Edinburgh Fringe 2008
Antigone - Tron Theatre Company, October 2007
An Incident at the Border - Oran Mor, November 2009
The Apprentice - Nonsenseroom, Edinburgh Fringe 2010
Arguments for Terrorism - Oran Mor A Play, A Pie & A Pint, October 2009
Armageddon & Fishcakes, Touch Wood, Edinburgh Festival 2007
The Army of Reason - Weaver Hughes Ensemble, Edinburgh Fringe 2008
Audience with... Brian Blessed - September 2008
Audience with... Hilary Kay & Paul Atterbury - September 2007
Audience with... Dennis Taylor - September 2008
Audience with... Sir Alex Ferguson - September 2007
Audience with... Sir John Mortimer - September 2007
Audience with... Tommy Docherty - September 2008
Audience with... Tony Benn - September 2008
Baby Baby - Stellar Quines/Perissology, March 2009
The Bacchae - National Theatre of Scotland, August 2007
Backbeat - Citizens Theatre Co & Karl Sydow, March 2010
The Ballad of James II - Nonsensroom, Edinburgh Festival 2007
Barflies - Grid Iron, Edinburgh Fringe 2009
Barry - Rowan Tree Theatre Company, January 2008
Battery Farm - Oran Mor 'A Play, A Pie & A Pint', March 2010
Be Near Me - National theatre of Scotland/Donmar, Jan 2009
The Beggar's Opera - Vanishing Point/Lyceum/Belgrade Theatre, September 2009
The Bird & The Bee: The Bird - Kandinsky, Edinburgh Fringe 2008
The Bird & The Bee: The Bird - Kandisky, Edinburgh Fringe 2008
Black Watch - National Theatre of Scotland, April 2007
Black Watch - National Theatre of Scotland, March 2008
Bliss + Mud - Tron Theatre Co, May 2009
Blood Brothers - Lauder Studio Theatre Co, Edinburgh Festival 2007
Blue Hen - NLP Theatre Co, May 2010
The Blue Room - Replico Theatre Co, January 2008
The Bookie - Cumbernauld Theatre, September 2010
Broken Glass - Rapture Theatre, June 2007
The Butler Did It!? - Handsome Chin, Edinburgh Festival 2007
Cabaret - Bill Kenwright Productions, April 2009
Call For The Condemned - Watchthis, Edinburgh Fringe 2008
Call it Sleep - Oran Mor "A Play, A Pie & A Pint", May 2008
The Canterville Ghost - Nonsenseroom, December 2006
Caesar - GCNS Students, March 2008
The Caravan - Look Left Look Right, Edinburgh Fringe 2008
Certain Dark Things - You Need Me, Edinburgh Fringe 2009
The Cherry Orchard - Dundee Rep, September 2009
The Chicago Project - Citizens Young Co, April 2007
The Chooky Brae - Borderline Theatre, September 2010
A Christmas Carol - Oran Mor, December 2009
A Christmas Carol - Nonsenseroom/Meanwhile Theatre, December 2009
Citizen Y: Nighthawks - Citz Young Co, April 2009
The City - Tron Theatre Co, February 2010
Class Enemy - East West Theatre Co., EIF 'Sharing the Festival', September 2008
A Clockwork Orange, EattheBaby, Edinburgh Fringe 2009
A Clockwork Orange - Citizens Theatre Co, October 2010
Cockroach - National Theatre of Scotland & Traverse, October 2008
The Collection - Rapture Theatre, April 2006
Company Policy - Oran Mor, February 2010
Confessions of a Justified Sinner - Lyceum Theatre Company, October 2009
Cooking With Elvis - Tron Theatre Co, July 2009
The Corstorphine Road Nativity - Edinburgh Festival Theatre, December 2009
Creation & All That Jazz - Last Chance Theatre, Edinburgh Fringe 2008
The Crucible - Reid Kerr Drama Students, February 2007
Crunch - Oran Mor, February 2010
Cyrano de Bergerac - Play, Pie & Pint @ Oran Mor
Damascus - Traverse Theatre Company, Edinburgh Festival 2007
Dangerous Liaisons - Reid Kerr Drama Students, February 2007
Decky Does a Bronco - Grid Iron, July 2010
Deep Cut - Sherman Cymru, Edinburgh Fringe 2008
Defender of the Faith - Tron Theatre Co, February 2009
Detainee A - Ankur Productions, June 2007
Dildon't - Casual Violence, Edinburgh Fringe 2010
Djupid (The Deep) - Oran Mor, A Play, A Pie & A Pint, April 2009
The Doctor and the Devils - Citz Young Co, October 2007
The Dogstone - National Theatre of Scotland/Traverse, November 2008
Dolls - NTS Workshop/Hush, January 2009
Don Quixote - Theatre Modo, May 2006
Don Juan - Citizens Theatre Company, September 2008
Dracula - Sell A Door Theatre Co, October 2010
The Drawer Boy - Tron Theatre Co, May 2008
A Drop in the Ocean - Oran Mor "A Play, A Pie & A Pint", April 2009
The Ducky - Borderline Theatre Co, May 2009
Educating Agnes - Theatre Babel, April 2008
Educating Rita - Citizens Theatre Co, March 2009
Edward Gant's Amazing Feats of Loneliness - Headlong & Nuffield Theatre, March 2009
Electra - QMU Students, March 2008
Elling - Trafalgar Studios, London, September 2007
Emergence-See - Daniel Beaty, Edinburgh Festival 2007
Empty - National Theatre of Scotland, March 2010
The Event - Absurdum International, May 2010
Fahrenheit 451 - Godlight Theatre, Edinburgh Festival 2006
Failed States - 1215 Productions, Edinburgh Festival 2007
Fall - Traverse Theatre Co, Edinburgh Fringe 2008
Fiddler on the Roof - Glasgow Light Opera Club, October 2007
Fifteen Minutes - Oran Mor, Play, Pie, Pint, February 2009
Finished With Engines, Arches Theatre Co, Edinburgh Fringe 2008
Five:15 - Scottish Opera, February 2009
Framed - Visible Fictions, December 2008
Fresher:The Musical - Edinburgh Fringe 2010
Frozen - Rapture Theatre, December 2006
Futurology - Suspect Culture/NTS/Brighton Festival, April 2007
Geeks, Greeks & Party Myths - Citizens Young Company, October 2006
Ghosts - Citizens Theatre Co, May 2009
The Girl in the Yellow Dress - Citizens Theatre Co, September 2010
The Glimmering Nymph - Oran Mor A Play, A Pie & A Pint, October 2009
Golden - theatre With Teeth, Edinburgh Fringe 2008
The Government Inspector - Communicado/Tron Theatre Co, February 2010
The Grapes of Wrath - Citizens Community Co, May 2010
Guys & Dolls - Theatre Guild Glasgow, September 2010
Hamlet - Citizens Theatre Company, September 2007
Hamlet - Royal Shakespeare Company, December 2008
Hamlet - Rapture Theatre, February 2010
Handel's Messiah @ Royal Albert Hall - Raymond Gubbay, December 2008
Heaven - Oran Mor "A Play, A Pie & A Pint", February 2010
Heer Ranjha (retold) - Ankur Productions, November 2008
Hero - Scottish Youth Theatre, August 2008
Hidden - RSAMD/Vanishing Point, October 2007
His Dark Materials (Part I) - Scottish Youth Theatre, July 2007
His Dark Materials (Part II) - Scottish Youth Theatre, July 2007
Hoors - Traverse Theatre Co, May 2009
The House of Bernarda Alba - National Theatre of Scotland, September 2009
How it Ended - You Need Me, Edinburgh Fringe 2008
Hugh Hughes in... Story of a Rabbit - Shon Dale-Jones, Edinburgh Festival 2007
Huxley's Lab - Grid Iron & Lung Ha's Theatre Co, April 2010
I Love You, Bro - Three to a Room Theatre, Edinburgh Fringe 2008
Ice Cream Dreams - TAG/Citz Community/Young Co., March 2007
In Memory -Greshams School, Edinburgh Fringe 2010
Interiors - Vanishing Point et al, April 2009
Involution - Mokita Productions, Edinburgh Fringe 2008
It's a Wonderful Life - Nonsenseroom, December 2007
Jacobite Country - Dogstar Theatre, Edinburgh Fringe 2010
Jekyll & Hyde: The Musical, Limelight - September 2007
Killer Joe - The Comedians Theatre Company, Edinburgh Festival 2007
King Lear - Oran Mor "A Play, A Pir & A Pint", June 2008
Kirsten O'Brien's Confessions... - Kirsten O'Brien, Edinburgh Festival 2007
Kursk - Sound&Fury, Edinburgh Fringe 2009
Kyoto - Oran Mor / Traverse Play, Pie & Pint, March 2009
The Last of Us - Oran Mor "A Play, A Pie & A Pint", May 2008
The Last Witch - Traverse Theatre @ EIF 2009
Lend Me Your Ears - Citizens Young Co, October 2009
The Lesson - benchtours, October 2008
The Lieutenant of Inishmore - XLC Theatre Co, February 2010
Like The Rain - Tron Theatre Company, October 2008
Limbo - Oran Mor "A Play, A Pie & A Pint", May 2008
The Lion, The Witch & The Wardrobe - Lyceum Theatre Co, December 2008
Literally - Paul Parry, Edinburgh Fringe 2008
Little Red Riding Hood - The Arches, December 2009
The Little World of Don Camillo - Mike Maran, February 2007
Locked In - Half Moon Theatre, October 2008
Lord of the Flies - Feltonfleet School, Edinburgh Festival 2006
Love But Her - SYT Productions, August 2009
Love Labours Won, Rogue Shakespeare Co, Edinburgh Festival 2007
The Love of Three Oranges - RSAMD, January 2009
Loves Times Beggar - Ankur Productions, May 2009
Lucky Box - Oran Mor & Traverse "A Play, A Pie & A Pint", March 2009
Lysistrata - GCNS Students, June 2007
Macbeth - Reid Kerr Students, March 2008
Madame de Sade - Donmar West End, May 2009
Man of the Crowd - SYT, August 2006
Mark Thomas: The Manifesto - Edinburgh Fringe 2009
Mary Stuart - NTS, October 2006
Mary Queen of Scots Got Her Head Chopped Off - Langside College & XLC, February 2008
Markus Birdman, Son of a Preacher Man - Edinburgh Festival 2007
Markus Birdman, Sympathy for the Devil - Edinburgh Fringe 2008
Medea - QMU Students, March 2008
Medea - Play, Pie & Pint @ Oran Mor
Mehndi Night - Mulberry School For Girls, Edinburgh Festival 2007
Memory Cells - Glasgay!/The Arches, October 2009
Memory Cells - Edinburgh Fringe 2010
Midsummer - Traverse Theatre Co, November 2008
Miles Jupp: Fibber in the Heat - Edinburgh Fringe 2010
The Miracle Man - National Theatre of Scotland, March 2010
Molly Sweeney - Citizens/NTS, December 2007
Moonwalking - Oran Mor "A Play, A Pie & A Pint", October 2008
My Bloody Valentine - Citizens Community Company, February 2007
My Clydeside Valentine - Citizens Community Co., February 2009
My Dark Sky - Reeling & Writhing, September 2006
My Grandfather's Great War - Cameron Stewart, Edinburgh Fringe 2008
Nasty, Brutish and Short - National Theatre of Scotland/Traverse, November 2008
New Works - RSAMD/Playwrights' Studio, September 2009
Nine - Walter Paul Productions, July 2010
Odds and Sods- You Owe Me Glue/Strathclyde Theatre Group, October 2009
Oedipus - QMU Students, March 2008
Oliver - Cameron Mackintosh, May 2009
Oh! What A Lovely War - Scottish Youth Theatre, August 2008
One Gun - Oran Mor, 'A Play, A Pie & A Pint', October 2010
One Million Tiny Plays About Britain - Citizens Theatre Co, June 2010
Othello - Donmar Warehouse, February 2008
Othello - Citizens Theatre Co, November 2009
Otter Pie - Fish & Game, December 2008
Out on the Wing - Oran Mor 'A Play, A Pie & A Pint', March 2008
On the Waterfront - Nottingham Playhouse Production, Edinburgh Fringe 2008
Parlour Song - Almeida Theatre, May 2009
The Patriot Act - Green Room Presents, Edinburgh Fringe 2008
Peer Gynt - NTS & Dundee Rep, October 2007
Peter Pan - Citizens Theatre Company, December 2007
Phedre (NT Live) - National Theatre @ GFT
Picasso & Me - Mike Maran, February 2008
The Pillowman - XLC Theatre Co, March 2009
Pinocchio - Scottish Youth Theatre, August 2009
Pit - Arches Theatre Company, Edinburgh Festival 2007
Plague! The Musical - Bubonic Productions, Edinburgh Fringe 2008
Poem in October - Oran Mor & Traverse "A Play, A Pie & A Pint", March 2009
The Princess Bride - Cumbernauld Senior Youth Theatre, May 2006
Promises Promises - Random Accomplice, February 2010
The Psychic Detective (and those disappeared) - Benchtours, Edinburgh Festival 2007
Rebus McTaggart - Richard Thomson, Edinburgh Festival 2006
Rebus McTaggart:Crimewarrior - Richard Thomson, Edinburgh Festival 2007
The Receipt - Fuel Theatre, Edinburgh festival 2006
The Recovery Position - NTS Young Company, March 2007
The Regina Monologues - Tidemark Theatre, Edinburgh Festival 2006
Restitution - Pinnochio's Ashes, Edinburgh Fringe 2008
Re:Union - 7:84, April 2007
The Rise and Fall of Little Voice - Visible Fictions, March 2007
The Rise and Fall of Little Voice - RPM Arts, March 2008
Roam - Grid Iron/NTS @ Edinburgh International Airport, April 2006
Romeo & Juliet - Nonsenseroom, Edinburgh Fringe 2008
Rupture - NTS Workshop, September 2007
Sea and Land and Sky - Tron Theatre Co, October 2010
Self Contained - NTS Young Company, September 2006
Shafted - Peaceful Lion Productions, Edinburgh Fringe 2008
The Shewing Up of Blanco Posnet - GCNS Students, June 2007
Shining City - Rapture Theatre Company, April 2008
The Shoemaker's Wonderful Wife - Oran Mor "A Play, A Pie & A Pint', June 2008
Singin' I'm No a Billy He's a Tim - NLP Theatre, September 2008
Six Acts of Love - Tron Theatre Company, September 2008
Six Characters in Search of an Author - Citizens/Lyceum/NTS, March 2008
Spanglebaby - Poorboy, April 2007
Spectacular - Forced Entertainment, December 2008
Speed-the-Plow - Old Vic, February 2008
Spoonface Steinberg - Beggars & Kings, April 2009
The Soldier's Tale, Academy of St Martin in the Field, November 2007
Something Wicked This Way Comes - NTS & Catherine Wheels, November 2008
Speechless - Shared Experience & Sherman Cymru, Edinburgh Fringe 2010
Spring Awakening - RSAMD One Academy, Edinburgh Fringe 2010
Stolen Secrets - Mulberry School for Girls, Edinburgh Fringe 2008
St. Nicholas - Richard Jordan Productions, November 2007
Sub Rosa - Citizens/Fire Exit, January 2009
Sub Rosa - Fire Exit, Edinburgh Fringe 2010
Suddenly Last Summer - Tron Theatre Company, October 2008
Sunshine on Leith - Dundee Rep, December 2008
Swindle & Death - Mull Theatre Company, June 2008
The Sword of Maximum Damage - Adam Riches Theatre, Edinburgh Fringe 2008
The Tailor of Inverness - Dogstar Theatre, January 2009
Tales from the Arabian Nights - SYT, August 2006
Tam O'Shanter - Horsecross Productions, February 2009
Teechers - Glasgow College of Nautical Studies, February 2007
The Tempest - Northern Broadsides, June 2007
That Face - Tron Theatre Company, October 2009
They Shoot Horses Don't They? - Citizens Community Co, Citz Young Co & Turning point Scotland, April 2008
The Third Condiment - Ankle Productions, Edinburgh Fringe 2008
Time Bomb - Talk About Productions, Edinburgh Fringe 2008
Tiny Dynamite - EGTG, Edinburgh Festival 2007
The Tobacco Merchant's Lawyer - Retrograde Theatre, November 2008
Tony of Arabia - White Rose Theatre, Edinburgh Fringe 2008
Too Clever by Half - Oran Mor, A Play, A Pie & A Pint, April 2009
The Trial - GCNS Students, March 2009
Trojan Women - QMU Students, March 2008
Turbo Folk - Oran Mor 'A Play, A Pie & A Pint', April 2010
Turn Me To Stone - FourthAngel, Edinburgh Festival 2007
Twelfth Night - Donmar West End, December 2008
Twelfth Night - Good Night Out Theatre, September 2009
The Typhoid Marys - Freemen's School, Edinburgh Fringe 2010
Under My Skin - Oran Mor/Paines Plough, November 2008
The Unravelling - Mulberry School for Girls, Edinburgh Fringe 2009
Valhalla! - Tron Theatre Co, July 2010
Venus As A Boy - NTS, Edinburgh Festival 2007
Waiting for Godot - Citizens Theatre Co, March 2008
The Wall - Borderline & The Tron, March 2008
The Walworth Farce - Druid Theatre, Edinburgh Festival 2007
The Wasp Factory - Cumbernauld Theatre Company & The Tron, April 2008
Waterproof - Play, Pie & Pint @ Oran Mor
The Way of the World - Oran Mor "A Play, A Pie & A Pint" - June 2008
We Will Rock You - STF Productions, June 2007
We Will Rock You - London Dominion, February 2008
What the Animals Say - Play, Pie & Pint @ Oran Mor, May 2009
When a Star Falls - SYT Productions, March 2007
The Whitechapel Murders - Theatrefusion, September 2006
White Tea - Fire Exit, Edinburgh Fringe 2009
Wicked - Apollo Victoria Theatre, London, September 2007
Wicked Christmas 2 - Citizens Community Company, December 2007
Wicked Christmas 3 - Citz Community Co, December 2008
Wicked Christmas: Cinder's Revenge - Citz Community Co, December 2009
Wild Allegations - Edinburgh University Theatre Co, Edinburgh Fringe 2010
The Winter's Tale - RSAMD Students, May 2007
The Wizard of Oz - The Lyceum, December 2007
Women Beware Women - RSAMD Students, June 2007
The Woman From the North - Oran Mor 'A Play, A Pie & Pint', May 2010
The Wonderful World of Dissocia - NTS, June 2007
Wuthering Heights - Tamasha, April 2009
Ya Beauty & The Beast - Tron Theatre Co, December 2009
Yarn - Grid Iron & Dundee Rep, April 2008
Year of the Horse - Tron Theatre Co/Burnt Goods, February 2009
Yellow Moon - TAG, October 2006
You Don't Need To Know That - Gonzo Moose, Edinburgh Fringe 2008
Your Ex Lover Is Dead - Arches Live Festival, September 2007
Zanna, Don't! - RSAMD, Edinburgh Fringe 2008
Zarraberri - Oran Mor "A Play, A Pie & A Pint", May 2008
Zero - Theatre Absolute & Warwick Arts Centre, November 2008
Posted by Statler at 8:10 pm
What we've tried to do here is to put together a list of theatres and companies that we feel are worth keeping an eye on.
Every review will include a link to the theatre it was at, and to the company website if there is one. However on all our blog pages we'll try to maintain a list of links for theatres/companies that we feel are worth keeping a special eye out for.
Posted by Waldorf at 8:09 pm
Over the last couple of years we’ve found ourselves spending more and more evenings out at the theatre instead of the cinema. There are loads of reasons for this including a preference for seeing films on DVD without the annoying kids and mobile phones, and a realisation that so many films were spoiled by trailers, or were remakes or sequels where there would be very little surprises.
Theatre gave us back that anticipation of never really knowing what you would get. We also benefited greatly from a decision to largely give up attendance at Glasgow’s two main theatres - the Kings and the Theatre Royal - after a few disappointing shows. We’ve now made it a rule never to attend any show which is sold on the basis of it starring such and such from Eastenders etc. The Citizens' has become our regular haunt - with a particular affection for shows in their intimate Circle Studio, although we also enjoy our trips to the Edinburgh Festival and to other local theatres.
After a few recent experiences of seeing a show and then looking for reviews to discover there were very few, if any, we’ve decided to add our own thoughts on the shows we see. Many of the shows we see at the Citizens' then go on tour throught smaller venues in Scotland so the opportunity will be there to see the shows if it catches your interest. Even if you’re reading them too late to attend, they’ll hopefully be a useful indication as to what you can expect from the company.
We’re not in any way theatre experts with vast knowledge of plays, actors and styles, but we know a good show when we see one, and if you disagree with us feel free to comment...
Posted by Statler at 8:04 pm